Josef Albers in Mexico - Entertainment

Josef Albers in Mexico

Josef Albers in Mexico

Solomon R. Guggenheim Museum
November 3 - February 18

On his first trip to Mexico, in 1935, Josef Albers (1888-1976) encountered the magnificent architecture of ancient Mesoamerica. He later remarked in a letter to Vasily Kandinsky, a former colleague at the Bauhaus, “Mexico is truly the promised land of abstract art.” With his wife, artist Anni Albers (1899- 1994), Josef Albers visited Mexico and other Latin American countries nearly a dozen times from 1935–67. They saw numerous archeological sites and monuments, especially in Mexico and Peru. On each visit, he took hundreds of black-and-white photographs of the pyramids, shrines, and sanctuaries at these sites, often grouping multiple images printed at various scales onto 8 by 10 inch sheets.

Albers’s innovative approach to photography remains an underappreciated aspect of his career. This exhibition brings together his photographs and photo collages from the Guggenheim’s collection and various lenders. These works, many of which have never been exhibited publicly, suggest a nuanced relationship between the forms and motifs of pre-Columbian monuments and the artist’s iconic abstract canvases. Albers’s experiences in Latin America offer an essential context for understanding his paintings and prints, particularly from his Homage to the Square and Variant/Adobe series, examples of which are featured in this show.

Josef Albers in Mexico is organized by Lauren Hinkson, Associate Curator, Collections.
Major support for Josef Albers in Mexico is provided by LLWW Foundation. Funding is also provided by the Robert Lehman Foundation, the Mex-Am Cultural Foundation, Inc., and The Mexican Cultural Institute of New York with the Consulate General of Mexico and AMEXCID.
The Leadership Committee for this exhibition is gratefully acknowledged for its generosity, with special thanks to Alice and Thomas Tisch; David Zwirner, New York/London; Lisa and John Miller; and Louisa Stude Sarofim.
The catalogue for this exhibition is supported in part by Furthermore: a program of the J. M. Kaplan Fund

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